The Many Ways of Love: A Mix for 24 August 2008

1. Ólafur Arnalds • 0952 • [link]
2. Phranc • I'm Not Romantic • [link]
3. The Ting Tings • Shut Up and Let Me Go • [link]
4. Saint Etienne • Burnt Out Car • [link]
5. Vampire Weekend • Walcott • [link]
6. Rogue Wave • Christians in Black • [link]
7. Banderas • The Comfort of Faith • [link]
8. MGMT • Weekend Wars • [link]
9. Boogie Down Productions • Edutainment • [link]
10. M83 • Graveyard Girl • [link]
11. The National • Mr. November • [link]
12. Duran Duran • Save a Prayer • [link]
13. The Smiths • Handsome Devil • [link]
14. Morrissey • I Just Want To See The Boy Happy • [link]
15. a-ha • I've Been Losing You • [link]
16. The Doors • Love Her Madly • [link]
17. The Smiths • Work is a Four-Letter Word
18. U2 • Race Against Time • [link]
19. Bams • Ma Chanson d'Amour • [link]
20. The Wild Swans • Bible Dreams • [link]
21. Bang Bang • Believe (featuring Garry Christian) • [link]

Total time: 78 minutes, 33 seconds.

Laughing Laura Gentry, a personal friend of mine, has released a new CD program intended for people on their daily commute called "Laugh Your Way There: A Laughter Yoga Workout for Commuters." I've listened to the disc several times, and I can honestly tell you that it's amazing! There are 48 tracks on the CD for each exercise. It sounds like a lot, but they go by quickly and are so much fun to do. My favorite exercise was track 34 – "Inhalation Laughter." It sounded so funny, and really tickled my funny bone.

Some of the other exercises on the disc include "Wide Mouth Laughter," "Cell Phone Laughter," and "Nose Hold Laughter." If you have a morning commute to work, this CD will wake you up and instantly put you in an amazing mood. It's tremendous what laughter – even laughter that's on cue – can do for you.

Laughing Laura is running a special right now for this new CD – $14.95 with free shipping. You can order it from her online Laughter Shoppe. Laura has a variety of laughter yoga products out there, and you can find out about all of them on her website LaughingLaura.com.

Laura Gentry is one of those incredible people who blaze their own trail, and we're all lucky enough to trail along and enjoy the ride. Laughter yoga is one of the most simple yet innovative ideas to come around. Laughter really is the best medicine.

It's been over six months since I first wrote about reCAPTCHA. In that time, it has pretty much completely stopped comment spam. It's been very effective. Once in a while a spammer leaves a comment by hand, but having one a month instead of 100 or 1,000 a day to deal with is a drastic improvement. reCAPTCHA works, and it also does useful work at the same time. The one thing it doesn't do is manage trackback spam. Trackbacks have been turned off for a while on Manufactured Environments, simply because too much junk was getting past the spam filters.

One of the new announcements for MT 4.2 was the release of a freely available anti-spam system similar to Akismet called TypePad AntiSpam. reCAPTCHA has been so effective with comments, that it will probably continue to protect this blog. But I would like to turn trackbacks back on, and perhaps this new anti-spam measure will be effective enough to try that.

The other new thing I've been trying out on the blog is a service called Chitika, which is a full service advertising network. I received an invite in my email, and it seems to be something that will add some value for certain users of this site. I'm trying the Chitika Premium service, which can work alongside Google AdSense. So I've left my AdSense ads as they are. The Chitika unit only shows when a U.S. user shows up at this blog from a search engine. The unit contains two tabs. The first lists ads for the person's search terms, and it even lists the search terms in the header. The second tab is a search tab. So instead of showing ads based on the content of my page, as Google AdSense does, Chitika shows ads based on the search terms that a person used at a search engine to arrive at my site.

So if the display criteria is not met, the ad unit does not appear. So in that sense it is rather unobtrusive. My regular readers won't be bothered by any additional advertising, while transient travelers, will have a targeted ad. I experimented a bit with the different sizes until I found one that fit best with the layout of my pages. It's a non-standard ad size, but I'm happy with it – it's a short, wide block that is visible without being too intrusive.

With the level of traffic, it seems to be earning about what I expected. So far this month it has pulled in about $10 or $11 so far. That's in addition to the $40 or so I earn a month from AdSense. Not enough to quit my day job, but it definitely pays for the web hosting bill. I'll need to see Chitika in action for a few months to see how much it cuts into AdSense revenue and whether it makes up for that. My sense so far is that it does end up earning more than with just AdSense alone.

The point is that there are machines that can make our lives easier, but sometimes it's better when we do the work instead of the machine. We need look no further than espresso machines and turntables, two common household items (well, common in my household).

To simplify things a bit, there are three types of espresso machines: manual, semi-automatic, and super-automatic. In the terminology of espresso machines, when I say "manual is better," I actually mean semi-automatic. Manual espresso machines are truly old-school. But many kitchens can't or won't accommodate a machine with a large vertical lever (such as the Gaggia Achille, for example).

Okay, but fully-manual machines aside, the primary distinction is between semi-automatic (or what I would tend to call 'manual') and the super-automatics. The difference is this: control. With a semi-automatic, you grind your own coffee. You measure. You tamp. The perfection of the espresso shot is based entirely on parameters within your control. With a super-automatic machine, there is a grinder built-in. It measures and tamps the coffee. All you have to do is press a button.

Some people like to just press a button, but if coffee is art, then it is far better to perform the ritual of creating a perfect cup of espresso yourself. In the end, it is personally and spiritually satisfying.

The same can be said with turntables. For the most part, automatic turntables don't really exist anymore. There may be a few lurking about here and there, but they are of low quality. A fully-automatic turntable will – at the press of a button – move the tonearm into position and lower the needle onto the record. When that side is down, it will life the tonearm and return it to the resting position. What fun is that?

I've seen comments of people who grew up with fully-automatic turntables back in the day and have returned to vinyl only to dislike the ubiquity of manual turntables. There is a subtle equation of whether a turntable is right for you. It basically depends if listening to music is a foreground or background activity.

If music is in the foreground, the ritual of playing records is both fun and satisfying. But it means staying alert and flipping the record when it's done. Of course for the background music, you're better off listening to "The World's Most Relaxing Classical Album" on your CD player on repeat. And not to be dismissive, but the conversation concerns those for whom these things are important.

The final distinction I should make is between turntables that are fun to use and certain audiophile turntables that are downright sadistic. I once had a so-called audiophile turntable that required the removal of the platter to change the speed from 33-1/3 to 45. That was distracting to the music. Also screw-on record clamps are to be avoided. They simply are a hindrance between flipping or changing records, with modest or non-existent benefits on records that aren't warped. So select a turntable with ease of access and user-friendly construction. Then the work (read: ritual) of playing records will be all that more enjoyable. The work is part of the process.

So put your own fingers into the mix when it comes to producing espresso or listening to vinyl. Your guests will enjoy watching your ritualized actions, and who knows? They may even become converted themselves.

From: <removed>
To: <removed>
Subject: THE TRUTH

There are many things people do not know about BARACK OBAMA. It is every American's PATRIOTIC DUTY to read this message and pass it along to all of their friends and loved ones.

Barack Obama is a PATRIOTIC AMERICAN. He has one HAND over his HEART at all times. He occasionally switches when one arm gets tired, which is almost never because he is STRONG.

Barack Obama wears a FLAG PIN at all times, even in the shower. One time he DROPPED THE PIN down the drain, and he PATRIOTICALLY disassembled his entire plumbing to retrieve it.

Barack Obama says the PLEDGE OF ALLEGIANCE every time he sees an American flag, and he has an American flag in EVERY ROOM in his house. Some days it takes him OVER 45 MINUTES to get out of his house. He also ends every sentence by saying, "WITH LIBERTY AND JUSTICE FOR ALL." On the INTERNET there is video of Barack quietly mouthing the PLEDGE OF ALLEGIANCE in his sleep.

Barack Obama has the DECLARATION OF INDEPENDENCE tattooed on his stomach. It's upside-down, so he can read it while doing sit-ups. He does FIFTY SITUPS every morning, which is the same number as OUR FOUNDING FATHERS did to commemorate our FIFTY STATES.

Barack Obama takes his daughters HUNTING every weekend – HUNTING LIBERALS, that is. Liberals are ALWAYS IN SEASON.

Barack Obama is a DEVOUT CHRISTIAN. His favorite book is the BIBLE, which he has memorized. His name means HE WHO LOVES JESUS in the ancient language of Aramaic, which is the language JESUS SPOKE before he learned English. He is PROUD that Jesus was an American.

Barack Obama goes to church every morning. He goes to church every afternoon. He goes to church every evening. He is IN CHURCH RIGHT NOW. If elected, he has pledged to build a MEGACHURCH inside AIR FORCE ONE.

Barack Obama's skin is the color of AMERICAN SOIL. His blood is the color of the AMERICAN FLAG. His fingernails are the color of APPLE PIE. He rubs AMERICAN SOIL on his chest every 20 minutes, then cleanses himself with HOLY WATER.

Barack Obama buys only AMERICAN GOODS. His sole possessions are a FORD PICK-UP TRUCK, a GEORGE FOREMAN GRILL, and HALF THE STATE OF MONTANA. He drinks only APPALACHIAN MOONSHINE, eats only FREEDOM FRIES, and travels exclusively by JOHN DEERE TRACTOR.

PLEASE FORWARD THIS EMAIL TO EVERYONE YOU KNOW! SPREAD THE TRUTH ABOUT BARACK OBAMA!!!!!

Reproduced with permission from dive into mark. Flickr CC-licensed photo of Barack Obama by Mr. Wright.

You might be thinking that this post is about the new debut album from The Ting Tings called "We Started Nothing." It is. But it's also a tale of DRM in an analog world. Let me explain.

At the local independent record store in my town, they had a vinyl copy of the Ting Tings album. That link is to the vinyl edition at Amazon.com, but my local record store has better prices than Amazon, thankfully. At any rate, on the album was a sticker that said inside was a coupon for a free MP3 download of the entire album. This is increasingly common these days with vinyl releases. Several records -- such as by Interpol, Lupe Fiasco, and Dave Gahan -- actually come with a copy of the CD when you buy the vinyl edition.

I got the record home and listened to it. Good stuff. The standout track for me was "Shut Up And Let Me Go." That's a great song.

And yes, there was a coupon inside the sleeve for the download. Many of the independent label albums I tend to buy include such a coupon. It's usually a fairly easy matter to put in the code and download the MP3 tracks of the album. The MP3s are usually low quality (192 Kbps), but I suppose it's better than nothing.

The Ting Tings download was different though. The URL on the coupon was this. That link redirects to an IP address that is "Powered by Neurotic Media." Ever heard of Neurotic Media? Me neither. But I can tell you one thing: Neurotic Media are bastards. Their CEO is some guy who's a founder named Shachar Oren. Neurotic's website says that he is "the system architect behind the company's patent-pending, ground-breaking technology platform." What is this patent-pending, ground-breaking technology you may ask? It's DRM, folks. This guy is inventing ways to screw over every music lover they can get their hands on. Not convinced? Let me continue the story.

So that page to download the Ting Tings album on MP3 has the following ominous warning: "Attention: Using Internet Explorer 6+ and Windows Media Player 9+ is strongly recommended. Also, please ensure Internet Explorer is set to 'Accept All Cookies' before you begin." In hindsight I should have seen it coming. I was in a hurry, and I happened to be in Windows XP at that moment. I don't know anyone who would use Windows Media Player and why would they recommend the Microsoft platform to download supposedly DRM-free MP3 files? There's a simple answer: DRM, digital rights managment.

I left Firefox waiting, and brushed the dust off of Internet Explorer 7. I put in the special code on the coupon. And then the download began ... or not. The next thing I noticed is that IE 7 had presented an alert. It asked if it could pretty, pretty please install some software called "DRM something something." I was in a hurry, and I said yes. The software installed. I was then given the download. At this point, I was fully expecting DRM-laden Windows Media Audio files, but it was in fact DRM-free MP3 files.

So what did that website "Powered by Neurotic Media" install on my computer? Well, wherever that software went, it was well hidden. I never did find the software. I looked in the IE 7 add-ons. I looked in the Windows downloaded ActiveX programs folder. I looked a bunch of places, and it was simply not to be found. Of course it wasn't in the Add/Remove Programs control panel.

Who had hired this evil company Neurotic Media to install DRM software on my computer? Why, it was Sony BMG of course. Sony BMG is known most for having lost a lawsuit in 2005 concerning CDs that they had added damaging DRM software to some of their CDs that left Windows users exposed to dire security risks. The DRM company that Sony BMG used then was called SunnComm. You can read all about it here.

There are two things you should know about SunnComm: 1) the uninstaller they were forced to provide for their rootkit software exposed users to security risks. That is, the software to remove their harmful DRM software was itself, in fact, a security risk for Windows users. 2) The second thing you should know is that millions of these DRM-laden CDs are still out there. If someone puts them into their computer, it automatically installs the software whether they accept the license agreement or not. Okay, and here's the kicker: if you try to find the uninstaller now, it's gone! SunnComm went out of business because of the lawsuit, and their website went dark. Because of the lawsuit Song BMG has terms of the settlement which includes links to SunnComm's nonexistent website for the uninstaller. If you happen to put one of these CDs in your computer, you are screwed.

So for the love of music, don't buy music from Song BMG. It only results in pain and misery. And whatever you do, avoid any website that says "Powered by Neurotic Media." This public service announcement was brought to you by Manufactured Environments. Thanks for reading.

Update (9 July 2008): I received a terse email from a gentleman at Neurotic Media informing me that I was "mistaken" about his company. What follows is the complete text of his email and my response.

From: Josh Gertz [josh@neuroticmedia.com]
To: Daniel Stout [daniel@danielstout.com]
Subject: You are mistaken about Neurotic Media

Daniel,

I read your post about my company and I want you to know that you are mistaken. The file you attempted to download from us is a .zip only with mp3 files inside of it. The active X control that MS asked you to install is from MS (not Neurotic Media) and has nothing to do with DRM. There is NO DRM involved in this promotion.

Please call me at your convenience and I'll be happy to explain.

Josh Gertz
EVP Sales & Marketing
Neurotic Media
Office: (404) 705-8885
www.amplified.com

From: Daniel Stout
To: Josh Gertz
Subject: Re: You are mistaken about Neurotic Media

Hi, Josh –

Thanks for getting in touch. Let me start by saying that I am a music lover. I am enjoying the resurgence in the vinyl market and have been buying lots of vinyl in addition to the many CDs that I buy each year.

I should also say that my faith in the music industry was seriously shaken in 2005 when I purchased a CD from Sony BMG called "Howl" by Black Rebel Motorcycle Club. This was a CD laden with the infamous SunnComm rootkit DRM that Song BMG lost a lawsuit with the EFF over. The revelations of the insidious nature of that particular brand of DRM software firmly convinced me that the major labels do not have the interests of music lovers in mind. In fact, inexplicably, it would seem that they do not like their customers.

I have purchased a number of vinyl LPs over the past year or two that have included a download coupon such as I found in the Ting Tings album. In most cases, these are bands that were on small independent labels. Perhaps they didn't have the resources to hire Neurotic Media, but I think in most cases the downloads were handled by a third party, sometimes by the vinyl pressing company itself, sometimes by others. But in none of these instances was anything downloaded to my computer other than a simple ZIP file containing the MP3 files of a given album.

I had never heard of Neurotic Media until I went to download the Ting Tings album, so my experience with your company is limited to this one instance. I was initially wary because of the text that requested the user use IE 6+ and Windows Media Player and to have cookies enabled. Why would you need to make this disclaimer for a bunch of DRM-free MP3 files? According to your help documentation on that site, it is because you frequently deploy DRM-laden media in WMA format.

And if I'm downloading a DRM-free ZIP file, why would IE need to install an ActiveX control at all? You can blame Microsoft, which seems cowardly, because the fact is it was your website that caused that ActiveX control to be installed. As I indicated in my blog post, when I went later to remove the control, I was unable to find it. So by visiting your website, software – of which I have no idea what it was (except that I remember the name began with "DRM ...") or where it went – was installed on my machine.

The only reason for a company these days to advise a customer to use the Microsoft platform in an instance such as this is because of DRM. Even if there wasn't DRM involved in this particular promotion, clearly your company is on the side of the equation that pits companies like Sony BMG and Neurotic Media against consumers and lovers of music. Your company is only helping the campaign started by the major labels to alienate the music industry's best customers.

I would be happy to hear that this first impression is an incorrect one, if you can prove otherwise. I welcome your response to my email. Thank you.

Sincerely,
Daniel Stout

There was a letter to the editor in a recent issue of Stereophile of someone who claimed that uncompressed WAV files were the way to go, Apple Lossless is a "joke," the letter-writer claimed. Just in case you were wondering, uncompressed WAV files are crap. Well, not crap, but they're only CD quality. That's it and nothing more. Compressed lossless formats are mathematically identical to WAV files — it's the same shit — so of course you're just better off using one of the lossless codecs. You can spot a nut when he starts talking about wave files.

The important thing though is not the format of the music, but the emotional connection one feels to that music. Does listening to a certain album send shivers down your spine? That's always an exciting feeling, and a sign, to me, of some intense emotional impact. When I watch U2 Live At Red Rocks back from '83 or '85, I get that feeling. Certain records in my collection have that kind of impact. It's definitely not across the board.

But here's the thing. Most CDs don't have that kind of emotional impact. I can count on one hand the number of CDs in my collection that affect me emotionally at that primal kind of level. Something about CDs in general kind of kills that energy — it kills the air of the recording.

Vinyl on the other hand tends to keep that air — and if the emotional content of the recording is strong, it will be recorded and transmitted. So part of the love of vinyl is about the process — playing records is physically satisfying — it's a ritual. But maybe you've found the other part of vinyl just as exciting — that emotional thrill that comes from a record that touches you.

So the point isn't that lossless is some great thing: it's just CD quality. But people have been missing the deep emotional connection to the music that comes from a more natural method of encoding. Possibly hi-res digital formats may keep that emotional air, but the cheaper and more direct route is to go vinyl. I call it emotional air, because it seems to me that vinyl recordings tend to breathe more. CDs to my ear sound concise.

He can quickly assert that FLAC, Apple Lossless, and Windows Media Lossless are all mathematically and sonically identical to the original recording on the CD. The simple point of the article is that lossy formats such as MP3 and AAC have problems with the reproduction of the music. The noise floor is much higher, and there are various sweeps of noise that wasn't there before.

If you look at the graphs on the second page of the article, you'll see though, that of the lossy formats, the best of breed is 320 Kbps AAC. I wrote last month that I couldn't hear the difference between 320 Kbps AAC files and the CD, and John Atkinson basically agrees.

So the best formats to use are the lossless ones, in case you were wondering, but if space is an issue, then use 320 Kbps AAC. MP3 comes from the MPEG-1 codec and AAC comes from the MPEG-4 codec, so the takeaway lesson is avoid MP3 if possible, even 320 Kbps MP3. It simply doesn't compare.

Of course, you could also buy a turntable, and forget the digital jargon.

Once you're there, you have some options for downloading. You can download some basic MP3 files of the 10 songs on the album. Or if you're looking for CD quality, you can download either FLAC or Apple Lossless versions of the songs. Either one is mathematically identical to the CD version. For people with access to a downstream hi-res D/A converter, you can download 24/96 WAV files. That's better than CD quality. For free.

The album is released under the Creative Commons Attribution - Non-commercial - Share Alike 3.0 US license. Basically that means you're free to copy the album, remix songs, post it on the internet, etc. The limitations are: you can't make money from sharing the album and if you create a derivative work (i.e. a remix) you must share it along the same terms as the original.

The fact that NIN released the album in two CD quality, lossless formats tells you something about the state of music today and about a problem with Apple's approach to high quality formats. Well, the first problem is that iTunes doesn't support hi-res formats. Simple as that. But more importantly its support for lossless formats is fractured at best. FLAC is a free, open source audio codec that produces lossless, compressed audio files at CD quality. iTunes (and by extension, the iPod) does not support FLAC even though the codec is freely available and widely used in some circles. Instead Apple came out with their own Apple Lossless codec. The problem with this codec is that it is proprietary, and Apple has never published a specification for the format. Some people back in 2005 reverse engineered a codec for Apple Lossless, but for the most part it remains a closed format. You can use it in iTunes and on the iPod, but not anywhere else.

Personally, I use iTunes as my reference encoder. I rip CDs as 320 Kbps AAC files. I find 320 Kbps to be indistinguishable from the original CD. The advantage of the AAC format is that it is open. I then use those AAC files in Linux and in CD burning software for creating audio mix CDs. So Apple Lossless is a dead end without an open spec and Apple doesn't support FLAC. My preference would be for lossless encodings of my CDs, but there is no easy way to do that in a cross-platform, open and accessible way. Well, that is, unless you rip them as WAV files. WAV can also render CD quality audio, but it's uncompressed. That means, you'll be soaking up scads of gigabytes on your harddrive (not to mention your iPod) for the privilege.

Of course, if you want to go the hi-res 24/96 route, you'll need a good digital-to-analog converter, such as the Linn Klimax DS network D/A processor that was reviewed in March's Stereophile magazine. It'll set you back $20,000 and requires professional installation, but hey, those are just details.

The point is that SACD and DVD-A, two DVD-based hi-res physical formats, are dead. It's time to make hi-res audio accessible. If it's possible to make a high quality SACD player for, say, $800, which I believe it is possible, then it should be equally easy to create a networked, hi-res D/A converter for a similar price. And it wouldn't have any moving parts, so nothing to break. The state of lossless, CD quality audio and also hi-res audio is such that nothing is easy. It's a bad time, frankly, to be a technologically-savvy audiophile. (Tip of the hat to Brandon.)