Manufactured Environments by Daniel Stout
Manufactured Environments by Daniel Stout

Maltese Cross EV—the Ergonomic Violin

Posted by Daniel Stout on Thu 16 Feb 2006 at 8:09 PM

EV-the ergonomic violin Tricia Ho, a graduate of industrial design from the University of New South Wales, has created an electric violin that uses high technology to be more comfortable to the musician. It’s cool looking—fairly exotic actually—and seeing how it wraps around the neck seems like, yes, indeed, it would be a more comfortable instrument to play. To quote from the press release:

“It’s my idea of the perfect electric violin,” says Ms Ho. “I designed it to help reduce the neck and shoulder pain that plague many violinists, and to make playing as comfortable as possible.”

Both the malleable frame, which sits around a players’ neck, and the lip which curves around the shoulder, are made from a high-tech shape memory polymer, called Veriflex™. The polymer, which can be moulded at a temperature of 60 degrees Celsius, allows violinists to shape the frame to their body to maximise their comfort. The waterproof frame can be manually reshaped after immersing it in a dish of warm-to-hot water for a few minutes. The reshaping of the frame is reversible and can be changed as often as desired.

More photos here. [via 3QD]

At this juncture, we would also like to note that our partner in blogging Herr Gertz is an electric violin player, and we just wanted to point this out to him, and we were wondering too, well, we were wondering about Transmission Sickness and if he and Clark and us would jam out some weekend, perhaps on a street corner in Brooklyn, if, you know, everyone thought that’d be a cool idea.

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Comments (3)
Posted by Faust Gertz on February 22, 2006 9:39 AM | Permalink

It has been a over a decade since Transmission Sickness has played together, but I am sure that I can still play all of the songs.

Actually, I played an acoustic violin. I had a piezo pickup and a Morley Deluxe Phaser pedal. The pedal was given to me by a friend, known as the Professor, who did some computer consulting work for Morley, was keyboard player, and was pretty much responsible for getting me into Prog Rock. My dad gave me the pickup which clamped to side of the bridge by the G string. The sound was fine as long as I stuck to the lower strings, but it had a poor tone in the upper ranges as well as a retro piezo quack. Since I was not that good of a player and didn't know much about this electric stuff, I simply masked the sound with the various effects, mainly reverb, from Clark's effects box.

That violin looks pretty cool. If I actually played more, I would be tempted. A basic problem I have is that I never learned the proper way to hold a violin. I have tried all kinds of chin and shoulder rests, but never feel like I am securely balancing my violin between my shoulder and chin. Thus I use my left hand to help support it and this has devastating effects on my vibrato, my shifting, and causes all kind of needless tension in my hand. This violin looks like it should help take care of that balancing problem. Cool.

Posted by Daniel Stout on February 24, 2006 6:36 PM | Permalink

I take it the piezo pickup wasn't necessarily intended to be used with a violin, or was it? With electric violins so common now there probably isn't such a market for a good pickup. Personally, I think you should go with the electric and never turn back. That is, unless the Foot-Notes need a fiddle player, and you're feeling Nordic.

Posted by mrs.niles on July 14, 2007 9:54 PM | Permalink

Where on earth do I buy an ergonomically designed violin?

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